![]() Shop from different size-inclusive wholesale balalaika styles, from bikinis, thongs, g-strings, tangas, boybriefs, knickers, hipsters, and full briefs, to get the perfect fit for different shapes and sizes. Find balalaika with your customers' favorite designs, characters, phrases, logos and colors, as well as classic black or white socks, because every great outfit deserves to be coordinated from top to bottom. Stock seasonal socks, including fluffy socks, Christmas socks, Halloween socks, and birthday socks. Stock socks for every occasion with men's novelty socks, men's dress socks, and no show socks for men. With artist biographies and extensive liner notes written by the artist.Find breathable, stretchy, and comfortable socks in the wholesalers' range of bamboo socks, cotton socks, wool socks, and synthetic socks. Timofeyev wrote the extensive and scholarly liner notes himself. Petersburg School with works by Morkov and others, to the Romantics Alexandrov, Zimmerman and Sarenko.Īlso included are songs accompanied by the guitar and chamber music in which the guitar has a prominent part.Ī unique project, played by master guitarist Oleg Timofeyev as soloist, seconded by second guitarist John Schneiderman. The 7 CD’s of this set follow chronologically the development of the guitar in Russia: from the very first works by the “Patriarch of the Russian guitar” Andrey Sichra, through the Muscovite School of Aksionov, Vysotsky and Vetrov, the St. This Box Set is a monument to this remarkable era. The seven-string guitar appeared in Russia in the 1790s and experienced its Golden Age during the first half of the 19th century. As Oleg Timofeyev and his companions show, there is a wealth of music worthy of attention here, in a variety of genres and styles. This innovative release represents an exciting chance to discover the severely neglected world of the Russian guitar during this period. We have Piotr Naimanowsky’s Variations for guitar and fortepiano, a sympathetic working of the popular French air Que le jour me dure, and a Sonata for violin and guitar by Antoine de L’Hoyer, a Frenchman who spent 10 years in Russia and frequently wrote for the Russian guitar. The final CD of this album sees the Russian guitar paired with other instruments – unusual, as Russian guitarists, often in the military or part of land-owning nobility, rarely had an opportunity to play alongside other musicians. Bach’s Art of Fugue in a remarkably original and novel transcription. Other composers, such as Mikhail Vysotsky, preferred to extemporise on themes by well-known composers Vysotsky chose Cramer’s Études as a basis for his free-flowing Fantasia, and even arranged the third contrapunctus from J.S. ![]() ![]() ![]() Sychra was also adept at programmatic music, with his compositions after poems able to depict atmospheric scenes, particularly apparent in his works based on Russian folk songs. His fine Études are among the first for Russian guitar, and this style would be elaborated on by many of Sychra’s followers, whether they were meant for study or the concert hall. Sychra was an accomplished harpist, and several of his works seem to imitate the delicacy of the harp. The release starts with one of the masters of the instrument, Andrey Sychra, whose numerous pupils form many of the composers on this album. Mr Timofeyev is known for reviving the seven-string Russian guitar, and it is on this instrument that he performs these works, many of which have never been recorded before. Though many of these composers have now fallen into obscurity, their works live on – discovered by renowned guitarist Oleg Timofeyev, an expert on the music of this time. Just the sheer number of composers featured on this 7CD album exemplifies how popular the instrument was. This comprehensive release is a celebration of the astonishing presence of the guitar in Russia at the beginning of the 19th century.
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